The Write Thing

As I struggled with its difficult verbose style at times, ages ago in a small room of my own in Paris, Vita Sackville-West’s The Land became an unwanted axis of a thesis that I would have fancied more gossipy, had gossip been accepted as a literary genre in those days. Perhaps today it should, and people would write far funnier theses.

It must have been that Orlando had been brilliantly coded by Mrs Woolf to give Vita some form of ownership after her beautiful childhood home of Knole was repossessed by the male family line. It must have been that her larger loss of a home with English ancestry bleeding from every wall paradoxically mirrored my minimal family betrayal at the hands of a brother. It must have been the “land” inside the word Orlando, the modern history of Vita as Woolf re-wrote it and installed it as a classic of all times, or simply the fact that I miss those days of piecemeal research and the promise of a finding, somewhere, that would give the work its originality.

Regardless of the remoteness or lucidity of these memories, today it all came back to me, as it can happen at times when some episodes of one’s own soap opera become bad karma. It must be that, years later, I still do not own the land that is rightfully mine, but I do have the vision.

The country habit has me by the heart,
For he’s bewitched for ever who has seen,
Not with his eyes but with his vision,
Spring
Flow down the woods and stipple leaves
with sun.

(“Winter”, from The Land)

By the way, for those who want a peak (or an “ear”?) of Vita’s voice, here’s an excerpt of this poem, read by the authoress herself.

Once again, my dear non-reader, you find me revisiting the idea of fate, karma and life psychology in general. I wrote yesterday (yes, two days in a row by now seem almost like I could really keep a blog) about life in sunny and crime-ridden Houston, and the almost technical aspects involved in getting a door glass replaced and a decent internet connection activated in the fourth largest city in the US.

Of course I have not expanded on the Kafkaesque developments that today brought me almost to the brink of despair (exasperation by now is a given for me in this country), and I will not unless you have serious insomnia issues, in which case you can send me an email and I will gladly walk you through the process of not finding things here even when everybody tells you they have them – oh, well, there I go again trying to explain…I apologize.

The fact that I have not expanded on my tribulations does not mean they are not potentially clear to you, or at least imaginable, by now. So let me focus on the feelings instead, the depth of the impotence, the rage, the worn-out patience, the repetition and, eventually, oblivion…I know in the not-so-faraway future I will remember the gist of everything that is going on around me now, but I will forget the reason. Just because that is what life is all about, and sooner or later we all forget.

Prometheus

THERE ARE four legends concerning Prometheus:

According to the first he was clamped to a rock in the Caucasus for betraying the secrets of the gods to men, and the gods sent eagles to feed on his liver, which was perpetually renewed.

According to the second Prometheus, goaded by the pain of the tearing beaks, pressed himself deeper and deeper into the rock until he became one with it.

According to the third his treachery was forgotten in the course of thousands of years, forgotten by the gods, the eagles, forgotten by himself.

According to the fourth everyone grew weary of the meaningless affair. The gods grew weary, the eagles grew weary, the wound closed wearily.

There remained the inexplicable mass of rock. The legend tried to explain the inexplicable. As it came out of a substratum of truth it had in turn to end in the inexplicable.

In an alcoholic anonymous website, somebody once wrote: I don’t know if the glass is half-empty or half-full, I can’t find the glass! Upon reading this clever line, I realized that in fact there is a third option to pessimism and optimism…absence. Maybe there is a glass, or maybe there isn’t. Whether it is empty or full, that again is a matter of perspective.

I have spent most of my weekend classifying books and deciding what to keep and what not to keep. Like an obsessed librarian, I was forced to open my own catalog of reading, my chronology of life through books. Moving out is certainly a time-consuming process, but it is also enriching. It forces us to pause when we cannot, because we are fighting our own lack of time, to look at what we are leaving behind. Some people are fortunate (or unfortunate?) enough to take themselves with them in their journeys. This time I am not. I have made a decision to take only the necessary part of me. Some of these books will make it to Houston initially, but others will have to wait for me to either take them, leave them or retrieve them if life sews a more permanent path to good ol’ Texas.

Yes, I decided to travel light. I want to live with less instead of more. I want to find the glass. I have been wanting to do that for quite a while, but something stopped me…it must be the reluctance of all human beings to change, or the fear that if we let go of things, of people, we will feel the emptiness. As I look back on the half-empty bookcase, I would say that it all depends on how you leave. It is not so much about the act of departure but about the way in which we go. Most of the time we escape — and believe me, I have been there — but sometimes, if we do the homework that life sprinkles here and there between the pages of our own mysterious book, there is a fair chance that leaving will be an action of growth instead than a side door to more of the old self.

The two bookshelves that remain to be cleared before they find a new home at my mother’s contain the effort of growth that stemmed out of the need of fleeing far away, where no old ghosts of bad family love could find me. Something good came out of escaping, but it only did when I had the courage to come back and face the demons I thought I had left behind.