The Write Thing

In 1968, the world of entertainment became mesmerized with a skinny young girl with a prominent nose who sang her way through the bittersweet life of theater and film actress Fanny Brice in the box office hit (both in theater and film) Funny Girl.

My admiration for Ms. Streisand goes back in time numerous years, to those darker moments of my youth when English was becoming a language of fate and a permanent shelter, without my knowing it. In the movie, there is a climactic scene where she rushes to catch a tugboat at the New York harbor, shortly after finding love in the arms of bon vivant Nicky Arnstein (played by Omar Sharif). Much as I would like to linger in my praise of Barbra as a consummate actress and singer, injecting pathos and passion in a character that to some extent ended up reflecting her quite a lot at some stages in her life, I will refrain from doing so.

The tugboat scene unfolds with the backdrop of a hurried Miss Brice trying to convince her entourage that her decision to live life beyond her success as a comedienne with the Ziegfeld Follies is final. She does this with a song, while everybody begs her to reconsider. However, she is adamant and will follow Nick to write the first act of a love whose epilogue will be a dark naked stage where La Streisand will render perhaps the best version of My Man ever recorded. But right now, if you can hold your breath enough to accompany the singer through the end of a belted note that grows above a mid-size orchestra, there is still a world to hope for.

The tugboat slides on a foamy sea, leaving a trail leading back to the harbor of departure. From a distance, it seems as if she could choose to go back and put such a preposterous idea of love well behind her. Curiously, the novelty here is that in the wildest act of love in the movie, the heroine does not sing of love, but of possibility….and perhaps that is what love is all about.

I’m gonna live and live NOW!
Get what I want, I know how!
One roll for the whole shebang!
One throw that bell will go clang,
Eye on the target and wham,
One shot, one gun shot and bam!
Hey, Mr. Arnstein, here I am …

I’ll march my band out, I will beat my drum,
And if I’m fanned out, your turn at bat, sir,
At least I didn’t fake it, hat, sir,
I guess I didn’t make it
Get ready for me love, ’cause I’m a “comer”
I simply gotta march, my heart’s a drummer
Nobody, no, nobody, is gonna rain on my parade!

I have recently seen a wonderful movie, The Curious Case of Benjamin Button, soon to open in Buenos Aires. The script is based on a short story written by F. Scott Fitzgerald which you can actually access online.

The story essentially poses the question of aging backwards. The protagonist, Benjamin Button, looks like an 80-year-old in a baby’s body when he first sees the light of day, and then grows young. Life happens in the meantime, and shows its complexity through it all, even with the benefit of youth instead of old age as part of progress. Who has not ever imagined what it would feel like to be a 20-year old in the mind of a 50-year old, combining experience gained with suffering with the supple structure of a vigorous body that responds to everything with a lot more energy? I know what it feels like to be 20, but I don’t know what it feels like to be 50 yet. Perhaps I can only idealize such an adventurous combination. However, after seeing the movie, I still do not think it is too different from the normal order in which we age. In other words, life’s complexity is the same no matter in what direction you grow.

As a closing statement for this post, I cannot but remember one of the key lines for me, spoken by Benjamin as he goes through the suffering of being different, or maybe simply of choosing.

You can go mad as a mad dog at the way things went; you can curse the fates, but when it comes to the end, you have to let go.

That is the way, Benjamin. As I write this, only a few days away from getting onto another plane leading me places, with adventure hopefully waiting for me at different ports, I can look back and smile. I am learning to let go…

Yesterday night, perhaps in anticipation of the never so globalized Saint Valentine’s celebration, I watched a movie that, apparently, was quite successful in the US a while ago. It is called The Jane Austen Book Club, and it is based on a book by the same name written by Karen Joy Fowler. The action basically takes place in book club meetings between six people who gather around the task of analyzing six of Jane Austen’s novels. Unlike many of the reviews I read after seeing the film, I simply loved it. There’s nothing to do about it: we all like or dislike things according to our mood. My mood yesterday was exactly the mood that could go with this movie. It is a comedy, romantic, full of unbelievable and poignant characters…what else can you ask for in Saint Valentine’s eve?

I think that, once more, the reason why I particularly liked a movie that many people might find slightly basic or superficial was because of Dame Jane. It brought back memories of the good old days when I made literary discoveries as I prepared for my university graduation. One of those discoveries was, precisely, Pride and Prejudice. No matter what you think of Elizabeth Bennet and Mr. Darcy, I certainly found out in my teen years that Ms. Austen and I had lots of opinions in common. In literary terms, perhaps the major value of this movie to me was that it put me in touch with Jane Austen again, and made me plan a strategy to get hold of a new novel of hers to read.

This morning, I got myself a copy of Austen’s Emma. They say that we do not choose books, but that books choose us. Let’s see if Emma made a good choice. Probably she did.