Sep 18 2008
36, Av. Georges Mandel
It was on September 16, 1996 when I first approached the iron gates that separated the boulevard-like Avenue from the majestic building where she spent her last years, away from crowds, away from the stage, in remembrance, alone. I made it a ritual to go there every year, at least as long as I lived in Paris. Every September 16, the flowers that decorated the railings would be accompanied by a note with moving words of memory. Some of her admirers would probably have memorable evenings to replay in their minds, whereas others, like me, would only have her most famous recordings and a couple of video performances to watch and see how a true artist lives in the skin of a character.
I would sit on the small bench opposite her house, staring at the window on top, in a delusional wish that her face would play hide and seek with the white curtain, as a mocking Butterfly nascosta, per non morire al primo incontro. Her Pinkerton was long dead when she let herself go down the road of the final suffering, and somehow that building seemed to me to preserve her pain. I would imagine it recorded in the walls. Perhaps if I dared to touch them, they would bring back something of her, the mourning soul, the pathos. No, the sound of my footsteps on the gravel path that preceded the entrance to the building was all I heard. Another bouquet of flowers, a picture and the gratitude of someone who could not forget her. Who could?
One year ago, on September 16, I was there, at that door, sitting on that bench for the last time in a long stretch of years before I would make it to Paris again. I went there to say goodbye, and stayed for a while recapping those years of my youth when I was just discovering the world and myself.
One year later, I am in a different kind of goodbye mood, although with an operatic flavor. Carmen was seeking to preserve her freedom when it was never challenged. In my opera, Don José does not kill her in his final act of impotence and possession. He simply leaves, and Carmen is left to enjoy her freedom, as only she can understand it.
Such a sad aniversaire! I filled the house with her beautiful voice all day long, it was my small honoring.
And sad is also to know that you´re going through that rough goodbye passage that some relationships reach. It´s bitter, you know, but one day you´ll notice that flowers are blooming again.
Kind regards,
Manon
Dear Manon,
Yes, indeed. A sad date with nostalgia, for those of us who would have given anything to have ten minutes of Callas live in her prime.
Well, as to the other sadness, I guess that results from trying to write a story and finding that you can’t. The signs are always there, my dear friend, but we (I) sometimes do not want to see them.
Sure the flowers will be blooming again…after all, it is spring!
Kindest regards and thank you for your words,
W.
Yes, of course, let the beautiful spring do its work! That fairy never failed me ; )